10 of the boldest movies to watch if you liked Avatar: Way of Water

These films make bold moves.

In recent years, movies have gotten longer, bigger sets, and more expensive. In turn, the scope and imagination of projects increased. Occasionally, a filmmaker with such immense power will use that control to create a truly ambitious film, and it can be hard to describe.

With all the moving parts involved in such a film, the margins for success can become very narrow. However, their grand ambitions and grandiose imaginations often make up for this, bringing great products to the silver screen. With the release of James Cameron's epic Avatar: The Way of Water, now seems like an opportune time to look back at some of the boldest movies ever made.

'2001: A Space Odyssey' (1968)

2001: A Space Odyssey is widely regarded as one of the greatest and most ambitious films ever to be brought to the silver screen, and is considered by many to be visionary director Stanley Kubrick's greatest achievement. 2001 grossed more than $140 million: A Space Odyssey told the story of a group of astronauts, scientists and a supercomputer who travel to unravel the mysterious origins of a monolith they found on the lunar surface.

The impact of Kubrick's miracle cannot be overemphasized, has been an inspiration to the likes of Steven Spielberg and George Lucas. Often considered one of the most important films in the history of the medium, the film has been discussed since its release due to its many themes. 2001: A Space Odyssey is breathtaking, and for good reason it ranks among the most important films of all time.

'Annihilation' (2018)

Annihilation was the product of an estimated $50 million budget and expansive canvas given to a talented creative mind like Alex Garland. Based on the novel of the same name by Jeff VanderMeer, the film follows biologist Lena who joins a mission to a mysterious quarantine that is revealed to be a strangely mutated landscape.

Annihilation was a commercial flop, grossing just $43 million, despite praise for its beauty, originality and ambiguity. What sets this film apart from other great films of its kind, like 2016's Arrival, is that Annihilation doesn't offer easy answers. The final half-hour, a mesmerizing ballet of images and colors, cements this film as one of the most ambitious and enduring in recent memory.

'The Fountain' (2006)

Darren Aronofsky is a filmmaker There is a tendency to attempt grand feats, and fountains are no exception. Hugh Jackman and then-wife Rachel Weisz starring Hugh Jackman and then-wife Rachel Weisz Rachel Weisz stars as lovers connected across time and storylines in this sequel to his visceral psychodrama Requiem for a Dream. The film initially divided critics, but has garnered a cult following since its release.

A box office failure, the film made less than half of its $35 million budget. Humorously, the movie was originally planned with a budget of $70 million and starred Brad Pitt and Cate Blanchett before production was discontinued. The Fountain may be beyond Aronofsky's control, but it's still a worthy genre-fusion spectacle for his filmography.

'The Tree of Life' (2011)

After 20 years between his two previous films, it took Terrence Malick 13 years to deliver The Tree of Life, his infinite distillation of life in cosmic beauty. Part world history, part autobiography, the film stars Sean Penn, Brad Pitt and Jessica Chastain as a middle-aged man looks back on his childhood and contemplates his faith and existence .

won After winning the Palme d'Or at Cannes, the film received generally positive reviews from critics, with some even saying it was one of the best films ever made. The film employs Malick's typical wandering existential and philosophical musings. While not to everyone's liking, the film is undeniably gorgeous, and it's rare to find a film that explores a deeper concept.

'Inception' (2010)

Shot in six countries and with a production budget of over $160 million, Inception's actual ambitions are still dwarfed by its conceptual ambitions. The film was a hit upon its release, becoming the fourth highest-grossing film of 2010. Starring Leonardo DiCaprio, the film follows a thief who assembles a team to enter a target's dream for his benefit. free return.

Nominated for eight Academy Awards, Inception is not an empty film, but a spectacle of pure logic with a hollow interior. Instead, the film is quite emotionally complex, and while it may not have the dreamy logic of a Terry Gilliam or Jacques Tati film, it does deliver metaphors. A masterpiece more than 10 years later, Inception is big, inspirational, and enduring.

'Ink' (2009)

now here's a The movie has all the ambitions of a Terry Gilliam or a Guillermo del Toro with a tiny budget. Written, directed, co-produced, scored and edited by Jamin Winans for $250,000, Ink tries to be everything at once. Ink is a dark sci-fi fantasy with emotional ambition, telling the story of a man who must save his daughter from a battle between darkness and light.

Although no major distributor would have picked up the film, the film has garnered a lot of attention on VOD and online piracy. Ink's blend of gloomy dark city-style sci-fi and 80's adventure fantasy is undeniably admirable in its handcrafted quality. Ambitious and self-sufficient, the film can be seen as an example of how a bold imagination can fit into a budget.

'Everything Everywhere All At Once' (2022)

An absurd comedy sci-fi action film, "Everything at the Same Time" is a massive, imaginative, and inspirational director's intimate portrait of millennial nihilism and Asian-American identity. The film, starring Michelle Yeoh in one of the year's best performances, plays a Chinese immigrant who must connect multiple versions of herself in parallel universes to stop an unstoppable force of evil.

While its particular brand of comedy and generational view can be deceiving Specifically, in reality, the movie was made as a mass blockbuster. Despite the praise from all quarters, the movie is really elevated by the stellar performances, overflowing score, and great action sequences. Everything Everywhere All At Once, directed by Daniels, has something for everyone.

'Synecdoche New York' (2009)

"Synonyms of New York", voted the best film of the decade by Roger Ebert, is Charlie Kaufman's masterpiece. A commercial failure and grossing just under $5 million against a budget of $20 million, the film follows the life of playwright Caden Cottard, played by Philip Seymour Hoffman, and explores his relationships, fears and attempts to rebuild his life.

The movie is like a book that never made it to the silver screen. The film is informative and informative enough to deserve multiple viewings. While it doesn't have the visual scope of other daring projects, Synecdoche New York may have the highest aim of encapsulating human life.

'Magnolia' (1999)

Paul Thomas Anderson originally intended his Boogie Nights sequel to be a small, intimate standalone film. What he ends up with is a more than three-hour masterpiece of visual style, dialogue, and intensity. magnolia, With an ensemble cast that includes Philip Seymour Hoffman, Tom Cruise, and Julianne Moore, among others, multiple lives intersect to paint a portrait of pain and dysfunction.

Although he claimed after the film's release that it was "the best film I've ever made, for better or worse", looking back, Anderson wishes he had "calmed down and cut twenty minutes". However, the film's minimalism is what many viewers love about it. A bombastic score and ubiquitous killer performances help "Magnolia" become Anderson's wildest film to date.

'Until the End of the World' (1991)

"To the End of the World" had a theatrical run of just over 2.5 hours in 1991, which may have been a factor in its commercial failure, grossing just under $800,000 against a budget of $23 million. However, that runtime pales in comparison to Wim Wenders' nearly five-hour director's cut. Split into two acts, the film follows a free-spirited woman who follows a doctor as he searches for a cure for blindness at the turn of the millennium.

Critics were mostly negative about the two-and-a-half-hour version of the film, which Wenders himself called Reader's Digest Edition. The director's cut received a more positive reception, which was praised for its spectacular soundtrack, apocalyptic visuals and Wenders' signature visual effects.

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